Collection Vehbi Koç Foundation, contemporary art museum Arter, Istanbul
The works of Pravdoliub Ivanov revolve around phenomena of spatiality in which norms are disrupted and trompe l’œil effects are inserted into an everyday visual vocabulary. By intermingling public and private moments, the artist transfers private matters into the realm of the gallery or art space, tying in specific architectural tropes as he does so. Ivanov plays with irritating elements: he uses ironic gestures taken from mundane and incidental everyday situations to evoke a heightened awareness for routine encounters that might otherwise often go unnoticed.
Pravdoliub Ivanov has a strong presence on the international art scene. In 2007, together with Ivan Moudov and Stefan Nikolaev he participated in Vessela Nozharova’s curatorial project “A Place You Have Never Been Before” – the Bulgarian official participation at the 52nd Venice Biennial. His works were also presented at the 4th Istanbul Biennial in 1995, Manifesta 3 in Ljubljana, Slovenia – 2003, at the 14th Sydney Biennial, Australia in 2004 and at the 4th Berlin Biennial in 2006.
“My simple ideas are the intersection of everyday life and fantasy, but I try to create works that do not belong to either. I do works as a desperate attempt to explain the world to myself.” – Pravdoliub Ivanov
Pravdoliub Ivanov Sofia, Bulgaria, May, 2022
A Clockwork Sweat (part of the project Robots don’t sweat) (2016-2019)
207 x 120 x 66 cm, artificial sweat, clockwork robotic system, old T-shirtCourtesy: Sarieva Gallery, Plovdiv, Bulgaria
A Clockwork Sweat (part of the project Robots don’t sweat) (2016-2019)
207 x 120 x 66 cm, artificial sweat, clockwork robotic system, old T-shirtCourtesy: Sarieva Gallery, Plovdiv, Bulgaria
A Clockwork Sweat (part of the project Robots don’t sweat) (2016-2019)
207 x 120 x 66 cm, artificial sweat, clockwork robotic system, old T-shirtCourtesy: Sarieva Gallery, Plovdiv, Bulgaria
Natural Fear (2014-2016)
HD video, sound, 2’30”The video work is using a found footage from a military info web in 2014. The camera was fixed on the head or the body of someone who was trying to hide in the bushes while enemies heavy gun fire is next to him, but what your eyes see is only close ups of grass, various plants and bushes. Because the focus goes to different plants it looks like Nat Geo film if you miss to use headphones. The only editing I did is to erase the curses and talks with purpose to avoid geographical or language-nation evidence. What stay on film is only Nature, Fear and Gunshots.
Courtesy: Sarieva Gallery, Plovdiv, Bulgaria
Natural Fear (2014-2016)
HD video, sound, 2’30”installation view
Natural Fear (2014-2016)
HD video, sound, 2’30”installation view
Fairy-Tale Device Crashed (2013)
275 x 420 x 88,5 cm, installation, cut carpet, hidden aluminium constructionFairy-Tale Device Crashed (2013)
275 x 420 x 88,5 cm, installation, cut carpet, hidden aluminium constructionCollection Vehbi Koç Foundation, contemporary art museum Arter, Istanbul
Rise to Score (2011)
480 cm, metal construction, basketball set, artificial palm tree, plastic potteryCollection Vehbi Koç Foundation, contemporary art museum Arter, Istanbul
Territories (1995)
installation, soil, fabric, wood, metalBlock collection, on permanent loan to Neues Museum Nürnberg, Germany
Territories (1995)
installation, soil, fabric, wood, metalBlock collection, on permanent loan to Neues Museum Nürnberg, Germany